Wednesday, April 30, 2014

Algebra 10-12 assignment; Feb. 7

We took a quiz today during our shortened periods, as well as turning in the weekly entry task sheet.

Homework:  System of equations worksheet;  #2-10 evens,  do all for extra credit

Tuesday, April 29, 2014

Algebra 10-12 assignment; March 25

We reviewed the special cases of multiplying polynomials today with our entry task and going over the homework.  The last topic in our unit on polynomials focused on multiplying any polynomial, and today that included binomials and trinomials.  We used a grid method ( 2x3, and 3x3) to accomplish our goal today, and the students saw several examples before getting started on their homework.

Tomorrow we will go through a review sheet in preparation for their test on Thursday.

Assignment:  Multiplying more polynomials worksheet  1-21 odd, 25-34 all

Test on Thursday

Sunday, April 27, 2014

Algebra 10-12 assignment; Feb. 4

We continued working on systems of equations today, dealing with word problems involving money and different age scenarios.

Assignment:  Word problems set #1  (1, 4, 5, 6)

Friday, April 25, 2014

Geometry assignment; Feb. 3

We went over our chapter 7 test today in class.  We then covered the topics of simplifying radical expressions and factoring our perfect squares.  We will be using this skill quite a bit as we move into chapter 8 dealing with right triangles.


Assignment:  Simplifying radicals worksheet  #1-48 all

Geometry assignment; Feb. 20

After going over the homework, we introduced the concept of trigonometry ratios in class today.  The first ratio that we will talk about is the tangent ratio.  Initial calculations and problem solving techniques were demonstrated for the tangent ratio in class before students go started on their homework.


Assignment:  section 8-5;  page 308;  #1-12 all,  page 302;  #22, 24, 26

Thursday, April 24, 2014

Algebra 10-12 assignment; March 5

We reviewed exponents and scientific notation again in our entry task today, as well as when we went over the homework.  Our topic of study today focused on the basic parts of a polynomial.  We went over how to name a polynomial  (monomial, binomial, trinomial, etc.), how to identify terms and coefficients, and how to collect like terms.  After the notes, we took a short quiz on exponents before getting started on the homework.

Assignment:  Polynomial introduction worksheet  #1-39 odd

Tuesday, April 22, 2014

Sunday Morning Med--"Their very lives"


The wicked lie in wait for the righteous, 
seeking their very lives. Psalm 37

Few people really talk about what a stroke of mad genius Bin Laden’s attack on New York’s Twin Towers really was.  That he pulled it off—that such a horrific attack could be orchestrated at all—had to seem a miracle even to the Islamic militants so deathly sure of their own hate.  How they pulled it off required a network of deception, and a target woefully ignorant of the extent of their hate.  The fact is, they did it.
           
But 9/11 was a hideous work of art.  The aim, after all, wasn’t simply to kill people.  The WorldTrade Towerswere a symbol of America’s financial dominion, our own Babel.  With two deftly aimed jet-liners, al-Qaeda utterly destroyed the canvas of New York’s skyline, washed out our brash financial—and cultural—self-confidence.

One of my memories of the immediate aftermath is a Sunday morning question, in church.  A friend who was ushering that morning stopped me, looked into my eyes, and asked, passionately, “Why do they hate us?”  He meant it, because he himself meant no harm to anyone in the Middle East, rarely even thought of them, I’m sure.

Which is not to say Mohammed Atta ever thought about the usher either, some factory worker in a small town of a state Atta could likely not have pronounced.  But Atta and his ilk had deep-seeded feelings about my friend as an American, feelings that had historical roots far, far deeper than either I or my friend could imagine.  Even though my friend didn’t understand why, he knew very well the honest-to-God truth—Atta and his martyred friends hated us with a passion.

In some ways, I can imagine the emotional truth of this line only if I try to put myself into the soul and psyche of some murderously righteous Islamic madman or woman, someone who sees the West—particularly America—as not only a challenge to Islamic culture (and surely it is), but sheer demonic horror. I don’t want to make Jihad-ists more pure than they are or were, but to them Western decadence looked—and still does to some—like the villainous predator David sees in this verse.

Human beings are marvelously complex, so I’m not about to say that the attitude David holds here createsmurderous acts, but I dare say none of us could carry out a plan like the ISIL haters did if we didn’t feel, like David, that the enemy was at this moment plotting our deaths, as some very well might be.

Why do they hate us?—Atta and bin Laden and ISIL or ISIS? Because they believe we’re enemies, and if they don’t get us first, we’ll get them.

For me, a 21st century American, perhaps those very Jihad-ists are the only recognizable contemporary versions of the phenomenon David sings of in this verse: they’re lying in wait for us, seeking to kill us, seeking our very lives.

But I’m not David—and I’m not some mad Islamic fundamentalist. 

And for that I’m thankful, thankful especially for Jesus Christ, the Word made flesh, who brought grace to amend the law, mercy to temper justice, and love, which is, quite simply “the greatest of these.” 

Feels very strange to say it, but I will, once again, even though I remember well that God himself claimed David the man closest to his own divine heart: there are times when I’m just thrilled that I’m not the Poet King. 

We have the Lord Jesus.                       

Algebra 10-12 assignment; Jan. 23

We spent another day working on solving systems of equations by graphing.  Today's emphasis was to convert into slope intercept first before graphing.  We also took a look at what parallel lines and overlapping lines do in terms of solutions for systems of equations.

Parallel lines have not solutions, while overlapping lines are the same line and have infinitely many solutions.

Assignment:  Solving systems by graphing worksheet #2

Sunday, April 20, 2014

Geometry assignment; May 19

We went over our homework today before beginning the next topic.  Today we reviewed how to graph and calculate with two different forms of linear equations.  The line equations we reviewed were the slope intercept form and the standard form of a line.  Both of these topics were covered in algebra, yet also apply in dealing with coordinate geometry.  The students got started working on their assignment towards the end of the period.


Assignment:  section 13-6;  page 550-551;  written exercises #1-24 all

Friday, April 18, 2014

Book Review--The Conquest: The Story of a Negro Pioneer

The story goes that James Fennimore Cooper, a gentleman born with considerably more than a silver spoon, got into a tiff with his wife when the two of them wagered that he could--or couldn't--write a better novel than the one Mrs. Cooper was reading. He said he could; she said he couldn't.

Writing novels was not a calling for Cooper, but then he was so wealthy he didn't need a vocation. Still, James Fennimore Cooper is oft considered America's first real novelist. His oeuvre is almost as long as it is classic, even though Mark Twain debunked him so horribly it's a wonder his work survives: 
A work of art? It has no invention; it has no order, system, sequence, or result; it has no lifelikeness, no thrill, no stir, no seeming of reality; its characters are confusedly drawn, and by their acts and words they prove that they are not the sort of people the author claims that they are; its humor is pathetic; its pathos is funny; its conversations are -- oh! indescribable; its love-scenes odious; its English a crime against the language.Now that's an unsettling review. 
Don't know if novel-writing suffers when would-be writers take it on because they're sure they can do better, but Oscar Micheaux is another who did. Micheaux, the son of a slave, was born in a Mississippi River town named Metropolis, a town just as much Kentucky as Illinois. When he was 17 he picked up and moved to Chicago, where, for the most part, his first novel The Conquest: the Story of  Negro Pioneer, is set. 



A whole section of the novel is set in South Dakota actually, where Micheaux himself homesteaded.  You read that line right. I was as shocked as you are. Oscar Micheaux, a black man, settled and homesteaded South Dakota land just outside of Gregory, South Dakota. In fact, this land, right here up the road.



It's almost impossible to imagine African-American homesteaders. They're supposed to be Dutch or German or Bohemian, Norwegian or Swede.  But Black?  Thousands of African-Americans tried their luck at "proving up" Great Plains homesteads. Most failed, just like most white families did, my own among 'em.  It takes a some wherewithal to weather the seasonal blows of Great Plains misfortunes.  

Conquest feels autobiographical, because it is. Oscar Devereaux Micheaux's hero is Oscar Devereaux--that didn't take much of a twist. Both Oscars homesteaded. Both Oscars wrote novels as a way of trying to make some quick cash. Both Oscars failed at first marriages. I'm sure the list goes on.

The novel wouldn't be remembered at all if it weren't for Micheaux himself, as well as the oddity of a black man breaking Great Plains ground just west of the Missouri, a black man surrounded by white ethnics and displaced Yankees all trying their hand at making a life on what seemed to be free land (no one asked the Lakota).  

It's not a great novel, but it's endlessly interesting because what it offers is a look at late-19th century African-American life. Most of the novel centers on Black life and culture, which offered its own set of issues, even of bigotry and racism. The cursed villain of the tale is a snake-oil preacher-man, lionized by his meek congregation, not to mention his sociopath daughter.  Conquest often feels like a melodrama.

Sometimes novels tell us who we are even if they don't try. Micheaux wrote The Conquest to make some bucks--Devereaux, the novel's protagonist, certainly does anyway. But a century later the novel's great strength is that it offers a glimpse of another time and place, a panorama not readily available elsewhere. When Fred Manfred's Green Earth came out, not all of Siouxland was proud. However, if you want to know anything about Dutch Calvinist life in northwest Iowa between the world wars, there's almost nothing else to read. 

Besides, Micheaux himself is a wonder, an African-American homesteader, a son of slaves on the open prairie, a South Dakota novelist, a Hollywood film-maker.  I'm sorry. It's still amazing.

He was, for certain, an innovator. When a Hollywood director wanted to make the novel into a movie, Micheaux agreed, then pulled out when the director didn't want him to have a say in the way the story was told. In a snit, Micheaux started his own film company in Sioux City--that's right, in Sioux City, Iowa.  

It didn't take long, however, and he'd gone off Hollywood himself and was writing, directing, and producing movies that still called "race films" because they were intended to play to a segregated movie audience, to the African-Americans who could get in to only those theaters open to African-Americans. Without a doubt, he was more successful at movie-making than he was at novel writing. 

The bookends of the novel (spoiler alert!) is Devereaux's love of a white woman, his determination not to pursue his relationship with her (for reasons of race), and, eventually his return to her, the love of his life, when she discovers something important about her own familial lineage (go ahead, guess).  

Nobody will ever lug The Conquest: The Story of a Negro Homesteader along to the beach. Only scholars and other folks interested in out-the-way museums and rusting highway markers will likely read it. 

But I liked Conquest, and I liked visiting the ground the man worked, too. I liked thinking about him out there in frontier Gregory, South Dakota, about him starting a film company in Sioux City, Iowa, about his star on the Hollywood Walk of Fame.

Oscar Micheaux was the son of slaves. He didn't have Cooper's great wealth or position. He came from nothing at all, wrote novels, made movies for his people. 

The Conquest is not a good novel, but it's great, great story.  



Thursday, April 17, 2014

Algebra 10-12 assignment; April 16

After going over homework problems, we introduced the topic of factoring using the AC method and grouping.  This method involves the most steps of our factoring skills, so we will spend a couple of days working on it together.

Assignment:  AC factoring method worksheet  #1-16 all

Wednesday, April 16, 2014

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Tuesday, April 15, 2014

Algebra 10-12 assignment; May 22

We continued our review for the EOC today with some more work with word problems that involve linear equations.  We worked through several in class before then getting started on the homework.

Assignment:  Scatter Plots and Linear Equations worksheet #2

Remembering Frederick Manfred--1912-1994 (ix)



To my mind, Frederick Manfred was deeply influenced by modernism, the prevalent intellectual worldview of his time and the cultural and intellectual milieu of, at least, the American Depression. After leaving college he traveled to the East coast, where the rough shod farm kid with the Calvinist pedigree walked in on the substantial political questions of the day, questions which were, during those years, sometimes answered better by socialism and communism than capitalism.

In New Jersey and later in Minnesota, he met what his own people would have called “leftists.” They were bright and they were influential and they were many. His many years of cloistered Christian and Reformed education did not stand up well against the prevailing modernist views of faith and spirituality—that Christianity was little more than a remnant primitive mysticism that would, soon enough, disappear among the masses, just as it had already disappeared among the enlightened. That never happened, and Fred died before the advent of our post-modern milieu, when spirituality, in all its manifestations, is flowering, sometimes madly.

His father, Frank Feikema, may well have prompted the most beautiful writing Fred Manfred ever did, a loving elegiac biography in Prime Fathers.

But what remained in him of the faith in which he grew was the beloved, yet searing memory of his deeply religious mother, whom he idolized, a woman named Alice Van Engen. His mother’s vibrant and gracious spirituality must have glowed like a dawn, if you listen to him. She is in his novels. Her death ends Green Earth, and offers his readers—and his people—an explanation of how he considered himself liberated from the cultural and spiritual strictures of his tribe, a tribe he never really stopped loving, strangely enough—and respecting.

In his daughter’s memoir, Frederick Manfred: A Daughter Remembers, Freya Manfred remembers the way her father always extolled his mother’s beauty and grace. But she also remembers her father—and quotes him—admitting that his mother’s early death (he was 17 when she died) was something of a blessing: “’. . .I’d have had an awful time explaining my vision to her or going up against her,’ he said, ‘because she never yelled at me. If I did something wrong, or she thought I hadn’t been entirely honest, she’d just look at me sadly and I’d feel terrible, deep in my guts.’”

The caricature of stern Dutch Calvinism would have no currency if it weren’t, in part, true. Fred Manfred remembered and undoubtedly experienced dour religiosity, preening self-righteousness, and outright hypocricy amid the Siouxland Dutch, and Fries, from which he’d come. But it wasn’t sharp tongues that kept him wondering about God, even arguing, I believe; what never left him was, instead, the loving embrace of his Godly mother, what she was and what she represented.

His liberation comes in the final powerful pages of Green Earth, when, on her death bed, Ada (his mother) tells Free (read Feike) that she wants him to be a writer even if she’ll never see him in heaven someday. She wants him to be true to what he is.

But to know that he himself felt, in a certain way, blessed by her early death, for the reasons he gives, can’t help but make us question whether the liberation he celebrates in Green Earth is purely fiction and not memoir at all. No one will ever know. Only two characters are privy to that death bed scene—Free and Ada, son and mother.

Most critics of the work of Peter De Vries maintain that even though you could take the boy out of his boyhood Calvinism, the ambience of that world—its powerful religiosity—never really left him. The same can be said for Frederick Manfred.

Elsewhere in her memoir, Freya Manfred remembers how, close to his death, her father once asked her a question she thought strange: “What do you suppose God will have me do when he gets me into the other place?”

To which his daughter replies: “I didn’t know you thought there was another place.”


It seems, he did.
________________

Tomorrow:  A hospital memory




Sunday, April 13, 2014

Sunday Morning Meds--Do not fret


“. . .do not fret when men succeed in their ways, 
when they carry out their wicked schemes.”

Some time ago, the college where I taught celebrated its fiftieth birthday. I was up to my ears in the celebrations, traveled the length and breadth of this continent drumming up whatever enthusiasm I could. It was great fun, but I was glad when it was over.

There would be no college here if its first President had never taken a call to serve a church in this little town where the college sits. His name was Bernard J. Haan, and he was a shaker and mover. He made national news in the late 40s by keeping a movie house out of town. The church he attended made it very clear that movies—like cards and dancing and a few other things—were what people used to call “worldly,” as in, “of this world.”

Right here behind me, I have a picture of B. J. Haan standing in front of the church, holding forth, a young man, full of hellfire. That he loved the camera is clearly illustrated by the fact that he took up such a hellfire and brimstone pose for a Time magazine reporter.

I need to come clean about my heritage. There’s a mean streak in me about movies that likely harks back several generations to grandfather clergymen—two of them—who were convinced that Hollywood was Babylon. I came along years after their opinions lost currency. I’ve seen movies my whole life; for a time, my son pursued graduate studies in film. But that doesn’t mean I don’t have a touch of my grandfathers’ DNA because sometimes I think the entire world would be better off if a bit of that California cahuna earthquake tumbles Hollywood somewhere deep in the Pacific. (Okay, that’s going a little far.)

A bunch of years ago, the summer’s box office biggie was a remake of an idiotic TV show from the 80s—the Dukes of Hazzard. It was stupid when it was on TV, but critics made its new version even more dopey—nothing but car chase silliness and thundering cleavage.

You guessed it. It made millions when it opened. The paper I read gave it ½ of a star, out of a possible five; but it also gave the flik most of a page to say all of that, and finally, as well all know, it’s ink that counts--the buzz. It’s no wonder Islamic extremists hate us.

Film is business, and we buy into it in spades. Every morning thousands of Hollywood honchos check their hearts, souls, and minds, somewhere off set before work. So I wonder if B. J. Haan was wrong about Hollywood—that’s what I’m saying. In American culture today, there aren’t many people more wicked than those who make trash.

There, I’ve vented.

This verse, however, isn’t about my righteousness or Hollywood’s corruption. The command is “do not fret,” so forgive my invective because I’m not listening closely. When the Dukes of Hazzard makes millions, I shouldn’t get in a huff—that’s what David is saying. When the wicked prosper, don’t scream or cry. Nothing but flashes and pans.

And there are great, great movies made all the time—so many I can’t list them. Tons.

Fifty years after B. J. Haan held forth, the theater in town has been operating for years, busy most of the time.

I’m not sure we’re better off, but I’ve been there myself and I don’t fret.

Much.

Sunday Morning Meds--No More


A little while, and the wicked will be no more;
though you look for them, they will not be found.”

Almost ten years has passed since a man known as the BTK (“bind, torture, kill”) Killer was sentenced to 175 years in prison.  Dennis Rader, who for years had eluded police in Wichita, Kansas, even as he taunted them through a string of brutal murders, could not, legally, have received a tougher sentence.

It is sometimes as difficult to take to heart some of the sentiment of the Psalms as it is tough to stomach wholesale Old Testament blood-letting.  Honestly, I have to think long and hard today to come up with people I’d associate—or certainly brand—with the word “wicked.”

But Dennis Rader is one of them, a serial murderer who carried out demonic crimes over a thirty-year period, while playing an evil game of cat and mouse with police. Married, with two children, Dennis Rader was a city official who enforced zoning and neighborhood codes and an active member of a local church, where he had been elected the congregation’s president.

He’d served his country in the Air Force, did time in Vietnam.  Dennis Rader was a Jekyl/Hyde, someone occasionally characterized as so nondescript that his being BTK seemed absolutely impossible to those who knew him.  Would they were right.  In his home, police found folders of news clippings proudly documenting his crimes.
           
In a rambling 20-minute statement at the end of the trial, Rader thanked his defense team, his social worker, the members of the jail staff, and his pastor.  He called the murders “selfish and narcisstic,” and then, shockingly, as if he were, in all truth, the final authority, listed the mistakes the prosecution had made in the case.  Madness that rational is just plain evil.
           
That the wicked Rader will never again walk the streets of Wichita or any town or city is a absolute blessing.  One plea on the part of the district attorney was especially memorable.  She asked that the judge limit Rader’s access to pictures of animals and humans and that he be prohibited from writing materials, which, she alleged, he would use to continue his fantasies. 

It was denied—under First Amendment guidelines.  That’s a shame. The world does not need to hear any more about Dennis Rader, even what I’m writing.
           
I do hope, honestly, that the God he worshipped throughout his life forgives him; and if I know grace at all, I know it’s possible.  God’s love vastly surpasses ours.

Maybe in Dennis Rader’s case, what David promises in this verse from Psalm 37 has happened.  Really, the initials “BTK” mean almost nothing to most of us today.  Wouldn’t it be wonderful to see every last detail of the monstrous life of Dennis Rader disappear completely from the earth, just as David promises, just as the Bible says?

King David dreams of a better world, as all of us do, a world without Dennis Raders.

Lord Jesus, he’s saying, come quickly.           

Saturday, April 12, 2014

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Friday, April 11, 2014

Sunday morning meds--Covenant


“They are always generous and lend freely; 
their children will be blessed.”

Most people in our church wouldn’t think it was a proper worship if we didn’t do “Joys and Concerns" every Sabbath, an open-mike opportunity for people to air their griefs, list their needs, and announce their happiness. It's quite sacramental—that may be overstatement; but it wouldn’t be a stretch to say that most of our congregation—Covenant Church—thinks of the public, weekly prayer bulletin board as a signature of our fellowship. It’s part of how we’re us.

I don't like being Scrooge, but I'm not always so fond of it, not only because only certain joys and concerns will get mentioned--others are too personal. Some folks don’t get any air time because their timidity keeps them seated; boldness animates others. Who knows why, but I’m always cautious about public righteousness—I know, I know, that’s my problem.

Most basic to my hesitation is my sense that communal prayer becomes, by way of “Joys and Concerns” almost entirely supplication, which may well be the least significant aspect of prayer in worship. 

I know I sound like a professor. And I’ve been wrong before. Besides, I’d likely be banished from the fellowship if I ever dared say what I just have publicly.

What's more, nice things happen in “Joys and Concerns.” We rejoice with births, we cry with those who watch their spouses go to war, we know and feel others’ heartaches—some of them at least. Going public has bountiful rewards, and I’m no longer itchy about it. Sometimes I even enjoy it.

One woman offers the same petition about once a year because she, like other parents, carries the burden week after week, when others’ plights and exaltations come and go. She stands in the middle, where she and her husband sit, and asks in her slightly quavering voice for the congregation to remember those children of the fellowship who aren’t living in faith.

No Christian parent is ever joyful about raising that concern, no matter how constant it weighs on the heart; and this woman is thinking of herself when she says it—everyone knows that; but she’s also thinking of others, probably more than a few who aren't saying it aloud.

David’s claim in this verse is no hollow promise, but neither is it absolute. Who can forget the priest, Eli, whose sons were holy terrors? David himself had a boy who in blind lust raped his half-sister. And then there’s seditious Absalom, ready to kill his own father, a really handsome kid whose life ends when he hangs by his hair from a tree. David was heartbroken.

So why does David say what he does here?  It's an if/then premise that wasn’t even true in his own life, for pity sake? Who’s he trying to kid?

Maybe—just maybe—the woman in Covenant Church who stands up annually to ask us to remember all the wayward sons and daughters holds, tooth and nail, to “covenant” theology, the idea, as Spurgeon says, that “the friend of the father [and/or mother] is the friend of the family."

Covenant theology on this score is the only comfort in her—and our—heartache. That’s what’s there to hold on to, when there seems so little else. 

King David, the world’s foremost poet, sometimes wrote better than he knew. That’s certainly one definition of inspiration, I guess, isn’t it?

Tuesday, April 8, 2014

Wasicu at Chankpe Opi: A White Man at Wounded Knee IV


But what exactly did happen on the morning of December 29, 1890?

With nothing to stop it, sound travels easily on a landscape this barren. So imagine the bleat of reveille cutting through the morning cold. It’s eight o’clock, and the sun rises magnificently, albeit late, winter solstice just a few days behind. Many of the women, some of them singing, are packing for the 17-mile trip to Pine Ridge, where they anticipate meeting relatives and friends. Children play innocently around the ragged tipis and wagons, and for the first morning in many, most have eaten well.

By Indian messenger, Col. Forsyte, the commanding office, calls the men of Big Foot’s band to come to parley directly southeast of us, at the spot where the chief’s tent stands, maybe 300 yards down the hill. Spread around the entire encampment like a huge lariat, even beyond the dozens of Indian ponies just west of Big Foot’s camp and the ravine behind it, 76 unmounted sentries, equally spaced, watch the movement. On the rise beyond the ravine and set against the horizon, a long line of mounted bluecoats wait menacingly, just in front of them, some several dozen of the cavalry’s Indian scouts. From the vantage point of the soldiers, the field seems well in hand, the position geometrically arranged to prevent escape. There is no chaos, yet.

As they were commanded, something close to one hundred men—no one knows for sure—from Big Foot’s band take their places in the council circle. Behind them, those lines of bluecoats move quickly to separate the men from their women and children.

The command is given to disarm. In the face of such untoward odds, the Sioux men are wary—not only does the positioning all around them seem ominous, but to a culture created on institutional violence—a boy becomes a man by proving himself in battle—giving up one’s means to fight is giving up oneself. What’s more, they’d been promised the day before that they could keep their arms until they arrived at Pine Ridge.

Troops are dispatched to search and seize what arms they can turn up in the encampment behind them. What happens is not pleasant. The women do not take kindly to their mistreatment, the sometimes brutal ways the bluecoats plunder their selves and their possessions. When the soldiers return, they have more guns, but also axes, knives, bows and arrows, tent stakes, even beadwork awls.

It is early winter, remember, but there is more than enough emotion in the air to ignite the landscape. Fear, prejudice, a history of deception, mutually defiant cultural values, and nothing less than hate lay beneath us here like so much kindling, waiting for the pop of a flame; the whole place is combustible. What exactly happened next may be debated forever, but the trajectory of events is no more debatable than the outcome.

Somewhere on the peripheries of the council circle stands a man variously described as half-crazed or desperate. He was, by all accounts, a man of faith, a medicine man, who considered it his duty to advise the men in council circle of their dignity and their calling. One account describes him this way: “. . .a grand figure. . .with green-colored face and a yellow nose, terrifying to behold. He wore with pride his floating crown of eagle feathers, while his costume was a wonder of wild adornments.” Some name this man Yellow Bird, while others claim Yellow Bird was nowhere near Big Foot’s camp. Whatever his identity, his eccentric look and behavior calls upon the dignity of Lakota history and culture. What he espouses is at least something of the doctrine of the Ghost Dance. He tells the men not to fear. As Crazy Horse, by legend, once exhorted his men before Little Big Horn, this man reportedly cried and sang to his people, told them this was a good day to fight and a good day to die. He promises eternal life.

The sound produced in Native songs and chants begins in the front of the throat; for centuries, white musicians have been exhorted to sing from the diaphragm. The difference is startling. To white folks unaccustomed to the keening, me among them, the sound produced seems more like a shriek than a hymn. As you stand there, those Hotchkiss guns poised just beneath you, listen the medicine man’s seemingly mad music and try to stop your fists from tightening.

“The men are hiding guns,” an officer says.

It’s December, still early in the morning, and the Sioux men are wrapped in blankets. A search follows. In a pile in the middle, almost seventy old rifles lie over each other like fallen branches.

Then, something happens—nobody knows exactly what. The bluecoats draw their rifles and swords. Rifle magazines click open and close; guns are brought into position to fire.
_______________________ 

Tomorrow:  the massacre

Reviews for Military Style Canvas Backpack Day Pack Casual Rucksack White Grey

Military Style Canvas Backpack Day Pack Casual Rucksack White Grey


Military Style Canvas Backpack Day Pack Casual Rucksack White Grey


Brand : NCITW

Sales Rank : 142278

Color : White Grey

Amazon.com Price : $24.99




Features Military Style Canvas Backpack Day Pack Casual Rucksack White Grey


Made from durable sturdy canvas.
Dimension: 16" H 15.5" W 5.5" D
Large compartment with 3 pockets.
Adjustable padded shoulder straps for carrying comfort.
Color: Light Grey

Descriptions Military Style Canvas Backpack Day Pack Casual Rucksack White Grey


This stylish canvas backpack is fashionable as it is functional. Traveling, hiking, camping or to school, bring your this fashionable pack wherever you go. Key Features and Benefits: -Made from durable sturdy canvas. -1 large compartment with 3 pockets. -Adjustable padded shoulder straps for carrying comfort. -Full inner lining. -Color: Light Grey. -Dimensions: 16" H 15.5" W 5.5" D.


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Sunday, April 6, 2014

Geometry assignment; April 22

We worked on section 11-7 today dealing with the ratio of areas between similar polygons.  We studied scale factors, perimeter ratios, and area ratios.  We then used these ratios to solve a variety of problems.


Assignment:  Ratio of Areas and Similarity worksheet

Friday, April 4, 2014

Best Price for kmbuy - Unique Vintage Style Unisex Fashion Casual School Travel Shoulder Backpack bag with 15.6'' laptop Compartment / 40cm*29cm*12cm (red)

kmbuy - Unique Vintage Style Unisex Fashion Casual School Travel Shoulder Backpack bag with 15.6'' laptop Compartment / 40cm*29cm*12cm (red)


kmbuy - Unique Vintage Style Unisex Fashion Casual School Travel Shoulder Backpack bag with 15.6'' laptop Compartment / 40cm*29cm*12cm (red)


Brand : kmbuy

Sales Rank :

Color : Red

Amazon.com Price : $24.13




Features kmbuy - Unique Vintage Style Unisex Fashion Casual School Travel Shoulder Backpack bag with 15.6'' laptop Compartment / 40cm*29cm*12cm (red)


Material: 90% canvas + 5% PU + 5% cotton
Dimensions: 40cm(Height)*29cm(Width)*12cm(Thickness), adjuestable shoulder straps: 75CM to 95CM
Weight: 630g / Capacity: 17L (medium capacity) / Max loading weight limits: less than 4.0KG
Compartments: 2*lateral pouch, 1*inner zipper bags, 1*phone & licence pouch compartment, 1*laptop/tablet compartment (28CM width laptop up to 15.6'')
For the crowd: Male or Female with height 150CM to 190CM

Descriptions kmbuy - Unique Vintage Style Unisex Fashion Casual School Travel Shoulder Backpack bag with 15.6'' laptop Compartment / 40cm*29cm*12cm (red)


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- Scientific and reasonable compartments, makes your goods lay in the bag systematically.
- Access to the books / stuffs quickly via the thoughtful zip design at the backside of the backpack.
- Specially equiped with thicken laptop compartment, carry your tablet / laptop easily.
- Casual Easy style using for: School, Excursion, Going out, window shopping etc..

Washing instructions:
- Washing with clean water with ordinary temperatures.
- DO NOT washing with hot water.
- Hang to dry.
- Washing separately to avoid staining.

Package includes:
- 1 * Backpack ONLY

Purchasing Agreements (please kindly do not place order if below terms is not acceptable):
- The actual colour of the backpack maybe different from the picture shown due to the different screen of display or reflecting light when shooting.
- 1-2cm error of measuring is a reasonable range due to different measurment methods.
- It's can't avoidable that you will receive the backpack with some smells from original material as it's brand new.
- The smell will be gone if place the backpack in freely circulating air for 2-5 days.
- Each backpack will be check carefully before shipped, but it's still very hard to guarantee there's no extra thread.
- Please do limit the loading weight within 4.0kg to avoid the damage caused by overloading.



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Thursday, April 3, 2014

Geometry assignment; April 7th

We continued our work with determining the areas of various shapes today.  Today's topics were calculating the area of parallelograms and triangles.  We worked through several problems together for each topic and then the students got started on their homework.


Assignment:  compound shape worksheet  #1-6 all;  section 11-2;  page 431, #1-16 all  (don't do #4 and 14)

Wednesday, April 2, 2014

Reviews for S.C.Cotton Canvas Leather Backpack Rucksack Satchel Bookbag Hiking Bag - Army Green

S.C.Cotton Canvas Leather Backpack Rucksack Satchel Bookbag Hiking Bag - Army Green


S.C.Cotton Canvas Leather Backpack Rucksack Satchel Bookbag Hiking Bag - Army Green


Brand : S.C.COTTON

Sales Rank : 73598

Color :

Amazon.com Price : $44.49




Features S.C.Cotton Canvas Leather Backpack Rucksack Satchel Bookbag Hiking Bag - Army Green


Made of canvas, cotton material
High quality fashion style
Durable and colourfast
Adjustable shoulder straps

Descriptions S.C.Cotton Canvas Leather Backpack Rucksack Satchel Bookbag Hiking Bag - Army Green


Features:
Made of canvas, cotton material
High quality fashion style
Durable and colourfast
Adjustable shoulder straps

Specifications:
Brand: S.C.Cotton
Model: 1005
Outer material: Canvas
Style: Backpack

Notice: There might be 1-2cm(0.39-0.79inch) deviation due to manual measurement.
There might be slight colour deviation due to different display.
Bag ONLY, accessories are not included.

Package includes:
1 * Backpack


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